C86 Show - Indie Pop

Th' Faith Healers with Roxanne Stephen

Th' Faith Healers  special with Roxanne Stephen in conversation with David Eastaugh

 

Th' Faith Healers were an English indie rock band who were originally active between 1990 and 1994. The members of the group were Roxanne Stephen (vocals), Tom Cullinan (guitar and vocals), Ben Hopkin (bass), and Joe Dilworth (drums).^[1] They recorded multiple EPs and singles along with two full LPs.

Tom Cullinan, who handled the bulk of the songwriting, went on to help form the band Quickspace. Signed to Too Pure in the United Kingdom, their albums were released by Elektra in the United States. Both albums feature clear krautrock influences, most evident in their cover of Can's "Mother Sky", from Lido.

Since their initial break-up in 1994, the band have reformed intermittently. They embarked on a short reunion tour in 2006 in conjunction with the release of their compilation Peel Sessions the previous year. The band reformed in 2009, playing at the All Tomorrow's Partiesmusic festival twice, first in May (curated by The Breeders) and then again in December (curated by My Bloody Valentine).

Shelia Chandra special - Monsoon, The Imagined Village, Ancient BeatBox

Shelia Chandra special - Monsoon, The Imagined Village, Ancient BeatBox - in conversation with David Eastaugh

 

As a teenager she formed the band Monsoon with Steve Coe (who became the band's producer) and bassist Martin Smith. Monsoon created a fusion of Western and Indian pop styles. The band recorded its only album, Third Eye, in 1982 from which it had a hit single, "Ever So Lonely", which peaked at No. 12 in the UK Singles Chart.^[1] Monsoon followed-up with the single "Shakti," which peaked at No. 41, but this was to be the band's final charting single. The album also includes a cover of the Beatles' "Tomorrow Never Knows", featuring the distinctive EBow guitar sound of Bill Nelson. Resenting pressure from their record company over musical direction, Monsoon dissolved in 1982 and Coe and Smith set about promoting Chandra as a solo artist on independent Indipop Records.

Pentagram special with Bobby Liebling

Pentagram special with Bobby Liebling in conversation with David Eastaugh

 

In 1971, Bobby Liebling and Geof O'Keefe decided to leave their previous bands (Shades of Darkness and Space Meat, respectively) to form a new band that reflected their interest in emerging metal and hard rock acts such as UFO, Black Sabbath, Uriah Heep, and Sir Lord Baltimore. At Liebling's suggestion, the group was named Pentagram, a name that reflected the gloomy subject matter of their material. Although the band would change its name several times during 1971 and 1972 (Virgin Death, Macabre, and Wicked Angel were all considered during this period), they would eventually (and permanently) return to Pentagram. Contrary to popular belief, they were never called Stonebunny; this was the name given to Space Meat when Liebling joined them briefly.

Vic Godard special

Vic Godard in conversation with David Eastaugh

In 1976, Godard formed Subway Sect with three other fans of the Sex Pistols at the suggestion of Sex Pistols manager Malcolm McLaren, who wanted another band for the line-up of the 100 Club Punk Festival. Despite their inexperience, Subway Sect made a successful debut at the festival and were taken on by Clashmanager Bernie Rhodes. They appeared with The Clash on the White Riot Tour in 1977 and released their debut single, "Nobody's Scared"/"Don't Split It", in March 1978. While recording their debut album at Gooseberry Studios, Rhodes suddenly fired the entire band except for Godard. Two tracks from the album's recording sessions, "Ambition"/"Different Story", were released by Rough Trade Records; the single was a major hit on the alternative charts.

Godard re-formed Subway Sect in 1980 with new musicians and signed to MCA Records sublabel Oddball, releasing the album What's The Matter Boy?

Following a summer tour with Buzzcocks, Subway Sect disbanded again. Guitarist Johnny Britten formed a rockabilly band with Chris Bostock, Sean McLusky, Rob Marche and DC Collard, but was soon forced to leave the group, at which point Godard stepped in to take his place. They recorded the album Songs For Sale in 1981, but were disappointed with the results and disbanded soon after; members of the band, without Godard, went on to form JoBoxers.^[3] Godard also recorded an LP at Olympic Studios, called T.R.O.U.B.L.E., with a group of London jazz musicians known as Working Week, which was eventually released two years later by Rough Trade Records.

In the mid-1980s, Godard retired from music and became a postman.

In 1990, Godard wrote the song "Johnny Thunders", a tribute inspired by reading an obituary of the New York Dolls guitarist. It was recorded at the home of Paul Baker, a fellow postman. Godard also recorded ten other tracks and the recordings, with Paul Cook on drums, eventually became the album The End of the Surrey People. Produced by Edwin Collins, it was released on the Postcard Records label. Collins' group Orange Juice had made the Subway Sect song "Holiday Hymn" a feature of their set in the early 1980s.

Later in the 1990s, Godard formed the band The Long Decline with Kenny Wisdom and Mark Perry. The band released an album on the Overground label before disbanding in 1998, but re-formed in 2000 with Godard, Wisdom, Lee McFadden, and Mina Sassoon, among others. Godard contributed guitar and some songwriting, but not lead vocals,

In 1998, Godard released the album Long Term side-Effect on Tugboat Records.^[3]

A 2002 album recorded by Godard, Sansend, was released under the name Subway Sect, rather than his own.

The Wonder Stuff with Miles Hunt

The Wonder Stuff with Miles Hunt in conversation with David Eastaugh

The Wonder Stuff released four albums and nearly 20 singles and EPs, enjoying considerable chart and live success in the UK. The band have continued to tour and record since 2000.

Largely the vehicle for the songwriting of Miles Hunt, the band split up with a farewell performance as headliners of the 1994 Phoenix Festival, but reformed in 2000 and have toured and recorded since then, with Hunt the sole member of all line-ups.

Known for their catchy songs and Hunt's sharp lyrics, the band's sound evolved from guitar pop to include sampling and elements of folk and country. The band - and Hunt in particular — were favourites of the UK music press, and were often associated with fellow Black Country acts Ned's Atomic Dustbin and Pop Will Eat Itself, with whom they have toured throughout their careers.

The band scored one UK number 1 single, their release of "Dizzy" with comedian Vic Reeves, 17 top-20 single hits, and three top-10 albums in the UK. The band also toured internationally, and achieved some success in the United States, where they had six songs on the Billboard Alternative Songs Chart.

The Bible with Boo Hewerdine

The Bible with Boo Hewerdine in conversation with David Eastaugh

The Bible was formed in 1985 in Cambridge, when former Great Divide frontman Boo Hewerdine teamed up with keyboard player/drummer Tony Shepherd (who'd played with jazz bands and drummed for Cambridge bands The Wobbly Jellies and Somewhere in the Foreign Office, the latter of which had featured future satirist Chris Morrison bass). Using Hewerdine's savings and several budget-rate studios, the duo recorded The Bible's debut album Walking the Ghost Back Home with the assistance of bass player Clive Lawson, jazz saxophonist Kevin Flanagan and drummer Dave Larcombe (the latter of failed "Oxbridge Duran Duran" band Roaring Boys).

Walking the Ghost Back Home was released in 1986 on the independent record label Backs Records. The album was well received by music pundits, giving The Bible a top-ten hit on the UK Independent Chart and staying in the chart for ten weeks. This was followed by the first release of "Graceland" as a single, which gave them a minor hit in the UK. After follow-up single "Mahalia" (which reached number 15 on the UK Independent Chart) The Bible was consolidated as a five piece group. Dave Larcombe was recruited as a full-time drummer (allowing Shepherd to concentrate on keyboards), Larcombe's former Roaring Boys bandmate Neill MacColl (brother of Kirsty MacColl) was recruited as lead guitarist after performing on various Bible B-sides, and Clive Lawson was replaced by a full-time bass guitarist, Leroy Lendor.

The Fleshtones with Peter Zaremba

The Fleshtones special with Peter Zaremba in conversation with David Eastaugh

The Fleshtones were formed in 1976 in Whitestone, New York by Keith Streng and Jan Marek Pakulski two roommates who discovered that a previous tenant had left behind some instruments in the basement of the house they were renting. Streng, on guitar, and Pakulski, on bass, were soon joined by neighborhood friends Peter Zaremba (born September 16, 1954), Queens, New York) on harmonica, keyboards, and vocals, and Lenny Calderon (born 1958), New York City) on drums.

The Fleshtones debuted at CBGB on May 19, 1976. Starting in 1978, the group was often joined onstage, as well as on record, by Action Combo, brothers Gordon (alto sax and harmonica) and Brian (tenor sax) Spaeth. Gordon Spaeth (September 21, 1951 – March 8, 2005) became an official band member in 1983.

In the late 1970s, The Fleshtones earned a local following and played often in Manhattan at CBGB and Max's Kansas City. Later, they found a favorite venue at Club 57 on St. Mark's Place. The Fleshtones were the first band to be booked or to play at several famous venues, including Irving Plaza and Danceteria in Manhattan, Maxwell's in Hoboken, New Jersey, and the original 9:30 Club in Washington D.C.

The Fleshtones shared a rehearsal space with The Cramps on the Bowery in 1977. The following year, The Fleshtones signed with Marty Thau's Red Star Records, and recorded their first album. In addition, filmmaker/artist M. Henry Jones and the band produced Soul City, a performance-animation video composed of hand-painted cutouts that is a historic representation of the band and Jones' art form. The Fleshtones' first single, "American Beat" was issued on Red Star in 1979.

Weekend, Working Week & Afro Celt Sound System with Simon Emmerson

Weekend, Working Week & Afro Celt Sound System with Simon Emmerson in conversation with David Eastaugh

Record producer, guitarist, DJ, musical director at Lush, and founder of the group Afro Celt Sound System.

He is also the main organiser of The Imagined Village, a collaborative work from many roots artists. Emmerson also plays on this album.

In 1995 Emmerson was nominated for a Grammy for his production work on Baaba Maal's album Firin' in Fouta.

Earlier in his career, under the pseudonym Simon Booth, he was a member of the bands Working Week and Weekend, played guitar on Everything but the Girl's debut album Eden and produced records for Baaba Maal and Manu Dibango.

Peter and the Test Tube Babies with Derek 'Strangefish' Greening

Peter and the Test Tube Babies with Derek 'Strangefish' Greening in conversation with David Eastaugh

Peter and the Test Tube Babies were first featured in Sounds magazine in July 1980, and after a John PeelRadio One session, made their vinyl debut on the Brighton compilation album Vaultage 78.

In recent years the band has played at festivals including the 11th Antifest in 2005. They also had two songs on the Oi! compilation Oi! the Album in that same year. They favoured absurd lyrics and strange titles, such as "The Queen Gives Good Blow Jobs". In 1982, they covered the chart-topping Gary Glitter hit "I'm the Leader of the Gang (I Am)" on their album Pissed and Proud.

The Legendary Pink Dots with Edward Ka-Spel

The Legendary Pink Dots special with Edward Ka-Spel in conversation with David Eastaugh

The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight. As of 2012, the group is composed of Edward Ka-Spel (vocals, keyboards, songwriter), Phil Knight(keyboards, electronics), Erik Drost (guitars) and Raymond Steeg (live sound engineer).

Although outside the mainstream (in terms of their music and career path), LPD have released more than 40 albums, have a devoted worldwide following, and tour frequently.

Pete Jones special - Public Imagine Limited, Department S & Brian Brain

Pete Jones special - talking about life with Public Imagine Limited, Department S & Brian Brain with David Eastaugh

Pete Jones played bass in different bands since the punk rock era of the 1970s, but is known for being a member of Public Image Ltd., during 1982–1983. He played bass guitar on PiL's highest charting UK single "This Is Not a Love Song" as well as recording Commercial Zone whilst with the band in New York.

During punk days, in the late 1970s, he played in The Hots with Martin Atkins, formerly Blonde (not Blondie). After The Hots split up, he was asked to join Cowboys International, touring with them across Europe. After that he formed part of Brian Brain with Atkins, then joined Public Image Ltd. while he was in the band.

He left PiL in 1983, and has since produced his own material under his own name and released several CDs. Jones has also done various cross-collaborations with Mikee Plastik over the years. In 2008, he teamed up with Fred Suard to form The Creepy Dolls, and released an EP entitled Grande Finale, and released various tracks with Clem Chambers under the name Pete & Charlie. He has recently returned to the live stage with a guest appearance for Mod Revivalists, Back To Zero and has joined post punk band Department S as permanent bass player and producer. Jones currently lives in Harpenden where he writes and records.

Senser with Heitham Al-Sayed

Senser special with Heitham Al-Sayed in conversation with David Eastaugh

In 1993, Senser released two indie singles on Ultimate – "Eject" and "The Key".

In March 1994, Senser released their third single, "Switch", which entered the UK Singles Chart at number 39. Senser's first album, Stacked Up, was released in May 1994, and entered the UK Albums Chart at number 4.

At the beginning of 1995, Senser toured the UK supported by Skunk Anansie before setting off to tour the United States with Moby. It was during this tour that the band decided to split over musical differences. Al-Sayed and Morgan left to form a new band with Haggis called Lodestar. The remaining members of Senser found a new drummer, Paul Soden, and set about writing Senser's second album.

During the spring of 1997, they recorded the second album. And in the summer of 1997 De-Senser released "Om".

In the summer of 1998, Haigh was able to tour and the band released the second album, Asylum. Once again musical differences became apparent and in February 1999 the band decided to split.

In 2003, the original lineup reunited originally to perform at one show, but decided to re-form and record again. They released their third studio album SCHEMAtic in 2004. A concert performance was released in 2006 as Live At The Underworld.

In 2009, they released How To Do Battle.

In 2013, they released their fifth album To the Capsules via Pledgemusic and toured with Erika Footman on vocals in place of Kerstin Haigh.

In 2014, to celebrate the 20th anniversary of their debut Stacked Up, the band re-released the album in expanded edition with a remastered version of the original tracks on the first CD, and bonus tracks from the era (remixes and previously unreleased songs) on the second disc.

Thousand Yard Stare with Stephen Barnes

Thousand Yard Stare special with Stephen Barnes in conversation with David Eastaugh

The band's debut effort, the Weatherwatching EP was released in November 1990 on Stifled Aardvark Records, the band's own record label. Both the Easter 89 and Tumbletown EPs were demo tapes made up by the band and sold at gigs prior to their first official release, the 12" vinyl only Weatherwatching. In a response to this record, NME nominated Thousand Yard Stare as "brightest hope for the future".

That summer the band performed at the Reading Festival, further raising their profile and leading to their stint as support for James in October and November of that year. In the Autumn, the band began the sessions for their first album, Hands On, the first fruit of which was another EP. Seasonstream EP was released on Stifled Aardvark Records in 1991, their last independent release on their own label. The Seasonstream EP began with a track titled "0-0 a.e.t", (which means "No Score After Extra Time"), a football metaphor laden song that featured Martin Bell of The Wonder Stuff on fiddle. 0-0a.e.t appeared as the first track on the Hands On LP. This single again topped the Indie music charts, and reached number 65 in the UK Singles Chart.

With the backing of the major label Polydor, Thousand Yard Stare went on to release a further three EPs, and two studio albums. (Hands On and Mappamundi) were both produced by Stephen Street, who had already produced records for The Smiths and Blur.

Amelia Fletcher and Rob Pursey

Amelia Fletcher and Rob Pursey in conversation with David Eastaugh

Amelia Fletcher has been the frontwoman of an evolving series of pop groups from the 1980s to the present. Her bands included Talulah Gosh, Heavenly, Marine Research, Tender Trap, and, since 2014, The Catenary Wires.

She also sang backing vocals for The Wedding Present early in their career and on the Hefner album We Love the City. She toured with, and was guest vocalist for The Pooh Sticks on their albums Orgasm, Million Seller and The Great White Wonder, and in 1988 released a single under her own name, "Can You Keep a Secret?" She has also appeared as a guest vocalist for The 6ths on the song "Looking For Love (In the Hall Of Mirrors)", on both Bugbear recordings, a single by The Hit Parade, "Why Do You Have to Go Out With Him When You Could Go Out With Me?" single by The Brilliant Corners, and the 2000 album Trend by Oxford band The Relationships. Since 2002 she has been keyboardist for Sportique. Amelia Fletcher was also an early promoter of Scottish act Biswho Heavenly performed alongside and whose lead singer, Manda Rin, repeatedly cited Amelia as one of her inspirations/influences.

Ride with Mark Gardener

Ride special with Mark Gardener in conversation with David Eastaugh

Gardener formed Ride with Andy Bell (guitar), whom he met at Cheney School in Oxford, and Laurence Colbert (drummer) and Steve Queralt (bass guitarist), whom he met doing Foundation Studies in Art and Design at Banbury in 1988. While still at Banbury the band produced a tape demo including the tracks "Chelsea Girl" and "Drive Blind". In February 1989 "Ride" were asked to stand in for a cancelled student union gig at Oxford Polytechnic that brought them to the attention of Alan McGee. After supporting The Soup Dragons in 1989, McGee signed them to Creation Records.

With Ride, Gardener released three EPs between January and September 1990, entitled Ride, Play and Fall. While the EPs had only limited chart success, enough critical praise was received to make Ride the "darlings" of the UK music press. The first two EPs were eventually released together as Smile in the USA in July 1990 (and later released in the UK in 1992), while the Fall EP was incorporated into the CD version of their debut album, Nowhere, released in October 1990. Nowhere was hailed as a critical success and the media dubbed Ride "The brightest hope" for 1991.^{[citation needed]} This was followed in March 1992 by the band's second album Going Blank Again.

Despite having a solid fanbase and some mainstream success, the lack of a breakthrough contributed to inter-band tension, especially between Gardener and Bell. Their third album, Carnival of Light, was released in 1994, after shoegazing had given way to Britpop. Carnival of Light was oriented towards this new sound, but sales were sluggish and the shift in musical tastes devastated much of their original audience and critics alike.

Inca Babies with Harry Stafford

Inca Babies special with Harry Stafford in conversation with David Eastaugh

Still retaining their original Manchester post-punk roots, the Inca Babies have appeared since 2008 at festivals and concerts across Europe, performing at 'Drop Dead' festival in Vilnius, Lithuania and 'Deathcave 2014' festival in Saint-Petersburg and Moscow, as well as playing live in Warsaw, Milan, Rome, Athens, Amsterdam, Los Angeles, London and many other cities across Europe. They are booked to appear for the first time in India, at the Saarang 2015 festival in Chennai (Madras).

The band was formed in Hulme, Manchester by Bill Bonney (bass guitar), Harry Stafford(guitar) Julian Woropay (vocals) and Alan Brown (drums), taking influences from Link Wray, The Cramps, The Gun Club and The Birthday Party Debut single "The Interior" was released in November 1983 on their own Black Lagoon label. Over the next five years they released a further six singles and four albums with a few changes of line-up, 1988's Evil Hourfeaturing Clint Boon of Inspiral Carpets on keyboards. Alan Brown of bIG fLAME and The Great Leap Forward was also drummer for a time.^[2]

The band recorded four sessions for John Peel's BBC Radio 1 programme between 1984 and 1987.

Mega City Four with Gerry Bryant

Mega City Four special with Gerry Bryant in conversation with David Eastaugh 

The group were officially formed in 1987 and the band's career started with performing gigs around their local town of Farnborough before making their vinyl debut in September 1987 with "Miles Apart"/"Running in Darkness". The single led to a round of gigs with fellow punk-influenced bands like Senseless Things and Snuff.

"Miles Apart" and "Running" were reissued (separately) in 1988 on the independent label Decoy, along with the more melodic "Distant Relatives" and "Less Than Senseless". A healthy following latched on to them quickly, and by 1988 the group were performing to packed audiences on a regular basis. Continuing on their local success, the band would eventually release their 1989 debut album, Tranzophobia

The band continued to tour extensively in the UK, Europe and North America, working with bands including Les Thugs, Ned's Atomic Dustbin, Carter The Unstoppable Sex Machine and Doughboys, amongst many others. The band's second studio album, Who Cares Wins, was released in 1990.^[2] Extensive touring across Europe began again, with the band performing in the Reading Festival that year. Who Cares Wins was followed by a compilation album of their early 7" singles, called Terribly Sorry Bob (1991).

The band subsequently moved to a major record label to record two further studio albums, Sebastopol Rd. (1992) (recorded by Jessica Corcoran at London's Greenhouse Recording Studios) and Magic Bullets (1993). This album produced the singles "Wallflower" and "Iron Sky", which both placed 69 and 48 in the UK Singles Chart respectively. After falling out with their record label, they moved to Fire Records to record their final studio album, Soulscraper (1996). In addition to their studio albums, the band also released a live album, a Peel Sessionsdisc, and a number of singles. The British music journalist, Martin Roach, wrote a biography of the band, Mega City Four: Tall Stories and Creepy Crawlies, published in 1993.

Stephen Street in conversation

Stephen Street in conversation with David Eastaugh

English music producer best known for his work with The Smiths, The Cranberries and Blur. Street collaborated with Morrissey on his debut album Viva Hate following the split of The Smiths.

More recently he has worked with Kaiser Chiefs, Babyshambles and The Courteeners.

For a time, he was managed by Gail Colson's company Gailforce Management.

In February 2020, it was announced Street will receive the Outstanding Achievement Award at the upcoming Music Producer's Guild Awards.

Carolyn Fok & Cyrnai in conversation

Carolyn Fok in conversation with David Eastaugh

Cyrnai is Los Angeles-born painter, writer and electronic musician Carolyn Fok. She self-produced a number of cassettes and eventually released Charred Blossoms (1985). It took a decade to release the follow-up, the ambitious multimedia project Transfiguation (1996), and then The Listener (2000), which is less ambitious but perhaps more accomplished.

Spizzenergi with Spizz

Spizzenergi special with Spizz in conversation with David Eastaugh

Their lineup in late 1979 consisted of Spizz on vocals and guitar, Mark Coalfield on keyboard and vocals, Dave Scott on guitar, Jim Solar (real name James Little) on bass guitar and Hero Shima (real name Suresh Singh) on drums. With a distinctively new wave sound, as Spizzenergi they became the first number one band on the newly formed UK Indie Singles Chart in January 1980. BBC Radio 1 disc jockey John Peel described "Where's Captain Kirk?" as... "the best Star Trek associated song". Spizz created the artwork for the single cover using felt pens. This was the peak of Spizz's commercial popularity.

This lineup continued as Athletico Spizz 80, gaining a considerable following. They became the only band to sell out the Marquee Club for five consecutive nights (with a sixth alcohol-free, matinee show). "Where's Captain Kirk?" was featured in the 1981 live music film Urgh! A Music War. This material was shown occasionally on late-night American cable TV, and may have helped prolong Spizz's fame. The band released an album entitled Do a Runner on A&M Records, to mixed reviews.

When Lu Edmonds joined the lineup in 1981, the band changed its name to The Spizzles. The group released a record called Spikey Dream Flowers, which cemented the group's sonic image as science-fiction weirdos. Two final 1982 singles, this time as Spizzenergi 2, "Megacity 3" and "Jungle Fever", were the swan song of Spizz in the 1980s. By 1982, the second wave of punk in the UK was over, and post-punk bands were taking over the indie music scene.